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Selected work

Lighting Projects Across South Florida

Restaurants, hotels, condo towers, builder packages and waterfront homes, specified and supplied off our own floor since 1983.

Selected projects

Restaurants, luxury retail, lobbies and private homes we have supplied, mostly across South Florida and some further afield. Every photograph is a finished room, not a rendering.

Restaurants, bars and cafes

Hospitality is most of what we do. It is also the least forgiving: the room has to photograph well, hold a low ambient level, and survive a service every night.

6 projects

Juvia, Miami

A rooftop restaurant, which means the lighting has to work as a piece of the skyline from outside and as a dinner table from inside. Warm low-level light at the banquettes, the living wall grazed from below so it still reads after dark, and a lit sign that carries the building from street level.

Juvia rooftop terrace in Miami at night, with a living green wall grazed from below and warm low-level light at the tables
The terrace after dark, living wall grazed from below
The bar at Juvia, with white track heads on a whitewashed timber ceiling above a marble bar
White track heads chosen to disappear into the timber ceiling
The illuminated Juvia sign and uplit facade at street level
The sign and facade from street level

Hikari, Surfside

A dining room built around its ceiling. A sculpted textured canopy runs the length of the space, a chain-curtain cylinder drops over the round banquette, and matt black cones pick up the tables underneath. The ambient level is held low and the light is put where the food is.

Hikari restaurant dining room in Surfside, Florida, with a sculpted ceiling canopy, chain-curtain cylinder pendant and black cone pendants
The main dining room and sushi counter
Corner booth at Hikari with a slim linear wall light against a chain screen
A corner booth, lit off the wall rather than overhead

Avenue 31 Cafe, Bal Harbour Shops

Three mirrored copper globes over the pastry counter, hung low enough to read as jewellery from across the mall, with a tight grid of recessed downlights behind them doing the actual work on the counter. The back shelving is lit from within against a deep blue ground, which is what makes the glassware and the cake stands carry at a distance.

Avenue 31 Cafe at Bal Harbour Shops, with three mirrored copper globe pendants over the pastry counter and internally lit back shelving
Copper globes over the counter, shelving lit from within

Joe's Stone Crab, Miami Beach

A room that has been serving since 1913 and carries the expectations that go with it.

Paris 6, Miami Beach

Supplied alongside Saladino Design Group. A Brazilian-French brasserie concept where the fixtures are a large part of what people photograph.

Whale Harbor, Islamorada

Waterfront hospitality in the Keys, which means salt air and a corrosion specification that matters more than the finish sample.

Retail and display

Display lighting is its own discipline. Coloured glass needs light through it, white porcelain needs light across it, and a gemstone needs a tight beam and a high colour rendering index or it looks dead in the case.

2 projects

Daum and Haviland, Bal Harbour Shops

Crystal and porcelain in one boutique, which is a hard brief twice over. The arched display niches are outlined in continuous LED, the glass shelving is edge-lit so each piece sits in its own light rather than under a spot, and a slim magnetic track carries small adjustable heads for whatever is on the plinths that week.

Daum and Haviland boutique at Bal Harbour Shops, with arched display niches outlined in continuous LED and edge-lit glass shelving
Arched niches outlined in LED, shelving edge-lit
Daum crystal sculpture on a lit plinth beneath the Daum and Haviland signage, with a slim magnetic track overhead
Small adjustable heads on a slim magnetic track

Sevan Bicakci, Design District, Miami

Retail display lighting for a jewellery house, where the entire job is making stones and metal read correctly. The ceiling carries square adjustable downlights on tight beams, aimed into the cases, with a slim white track for the pieces that move. The sculpted plaster walls are lit separately from a perimeter slot, so the room keeps depth behind the merchandise instead of going flat.

The Sevan Bicakci storefront in the Miami Design District, with a blue diamond-tiled facade and lit display cases visible through the glass
The Design District storefront
Ceiling detail at Sevan Bicakci showing square adjustable downlights and a slim white track aimed into the display cases
Square adjustable downlights and a slim track, aimed into the cases

Private residences

Houses and apartments, from a single pair of pendants to a whole-property scheme. Private homes are identified by neighbourhood only, never by address or owner.

5 projects

Art wall, Williams Island

Slim architectural track, run tight to the ceiling line, washing a wall of art. On a job like this the fixture is meant to disappear and the artwork is meant to look lit from nowhere in particular.

Textured artwork on a Williams Island residence wall, washed by a slim ceiling-mounted linear track
Art wash from a slim linear run
Living room at a Williams Island residence with slim linear track lighting across the art wall
The same run, seen down the length of the room

Dining room, Miami

A cluster of slim cylinder pendants over the dining table, mixed black and brass, hung at staggered heights against a double-height window so the fitting reads as one piece from the room and as a row of thin lines from outside.

Dining room in a Miami residence with a cluster of slim black and brass cylinder pendants at staggered heights
A staggered cylinder cluster over the dining table

Kitchen, Hollywood

Two oval LED pendants over a quartz peninsula. A small job, and a good example of why a showroom still matters: this is a fixture people want to see lit, at full size, before they commit to a pair of them.

Kitchen peninsula in a Hollywood, Florida residence lit by two oval LED pendants
Oval LED pendants over the peninsula

Kitchen, New York City

A Manhattan apartment. A sculptural multi-arm fixture spreads across the kitchen ceiling in place of a downlight grid, which suits a low ceiling and an open plan far better than a row of cans would.

Kitchen and breakfast bar in a New York City apartment lit by a sculptural multi-arm ceiling fixture
A sculptural multi-arm fixture instead of a downlight grid

Courtyard and entry, Miami

Courtyard and entry lighting. Well lights set into black river rock uplight the palms, small path lights pick out the planters, and a single wall lantern holds the doorway. Landscape work here is as much about corrosion as about beam angle: everything in this photograph lives outdoors in salt air all year.

Courtyard of a Miami residence at night, with well lights in black river rock uplighting palms and small path lights among planters
Well lights and path lights in a planted courtyard

Commercial and common areas

Lobbies, amenity floors and working rooms, where the lighting has to run all day, take a maintenance schedule, and meet the energy code.

2 projects

Commercial building lobby, Aventura

Entrance and lobby lighting for a commercial building. A tall mosaic panel is lit as the piece you see on arrival, the marble is washed rather than spotted so it does not go patchy, and the escalator run is lit for footing without putting glare in the eye line of anyone coming down.

Lobby entrance of a commercial building in Aventura at night, with an illuminated mosaic art panel, washed marble walls and lit escalators
Arrival at night, with the mosaic panel lit as the focal piece

Soundlux Studio, Miami

A listening room, which means light that flatters equipment and vinyl without bouncing off either. Every bay of the record wall is lit from inside, the bar front is one continuous warm line, and the overhead level stays low enough that the room reads as a lounge rather than a showroom.

Soundlux Studio listening room in Miami with internally lit record shelving and a continuous warm light line along the bar front
Integrated shelf lighting and a continuous bar detail

The kinds of work we supply

Six shapes of job, each with its own failure mode. What follows is what actually decides the specification in each one.

Restaurants and bars

Dimming quality matters more than fixture cost. A room that cannot go warm and low at nine in the evening will be relit within a year, and the owner will remember who supplied it.

Hotels and hospitality

Volume plus finish consistency. The same sconce has to look identical in 180 rooms and be replaceable in three years without a redesign.

Multifamily and condo

Phased delivery and staging, floor by floor rather than all at once, plus corridor and amenity packages that meet the association specification without gold-plating it.

Office and commercial

Controls and code compliance drive it. Getting the dimming strategy right at takeoff is the difference between a clean closeout and a punch list of flicker complaints.

Landscape and site

Salt air decides the specification. Coastal-rated hardware and voltage drop over long low-voltage runs are the two things that come back to bite a job in this market.

Builder packages and custom residential

One order for the whole house, priced per plan, with the option for the buyer to walk the showroom floor and upgrade a room without unpicking the package.

How a project actually runs

Takeoff, value engineering, submittals, release and lead times, staging and phased delivery, then punch list and warranty. The full walkthrough of each stage is on the project services page.

What is worth saying here is the part that decides whether a job goes well: the earlier we see the drawings, the more of the value engineering is still available. Once fixtures are released, the options narrow to substitutions, and substitutions late in a job are where schedules break.

If you want to know what we can get to your site and how quickly, the manufacturer index shows every line we can specify and the rep finder covers anything outside our territory.

Have a set of drawings?

Send them over. Quotes come back within one business day, and the takeoff is free whether or not the job lands with us.